I loved it, from the moment I set my foot there the first time. It smelled of ozone and there were

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Nostalgia in Operatrrummet. As the holder of one of the last theaters with an analog viewer becomes Erik Hamre jvnligt contacted by old operatrer who would like to work in an old-fashioned movie theater. - Photo: Martin Lehmann
Nostalgia in Operatrrummet. icar c As the holder of one of the last theaters with an analog viewer becomes Erik Hamre jvnligt contacted by old operatrer who would like to work in an old-fashioned movie theater. icar c - Photo: Martin Lehmann
It can be programmed to credit a full day program at the cinema through alone. And if you f desire, it can even be controlled remotely from an iPhone. Next to the size of its aging ancestor. A green old man of 1959 of darkness Bauer. In contrast to its neighbor works almost icar c Lovibond. Everywhere there are small pulleys, coils and handles, icar c which together can transform thousand meters of celluloid film for motion pictures on the big screen in Gentofte Kino. Both operatr and billetslger Both machines icar c operated by 58-rich Erik Hamre, as both are theater owner and operatr. But there is a big difference in how. One Requires a calm hand that can place the large rolls of film in the coils and fre film strip through the machine.
The second Requires that you can push a hard drive into a machine and press 'play'. Actually icar c it should overfldiggre need for operator that but not in Gentofte Kino. For in a time when almost all functions in cinemas icar c controlled digitally, orders Erik Hamre it all manually.
LS OGS cinemas survive digitization No one has two carpets, a mechanical piano and lots of lysdmpere and everything skgi street to be VRE to make a beautiful and helstbt performance, so there is a need for operator that he says. But he's one of the last of its kind. Virtually all cinemas in Denmark today is digital, and the job of operatr carriers are usually the same people who sells tickets in the foyer. A flammable job Operatrer has existed ever since the film spde start. Fr built cinemas, they traveled around the country icar c with their viewers icar c and showed live pictures of people in markets and in concert icar c halls.
LS OGS digitization hgter the weakness of the small operatrrum was regulre ddsflder. At that time, film strips made of nitrate, which had an annoying tendency to selvantnde. Therefore, after several large fires in theaters indfrt strict rules for showcasing movies.
With tape and p roll To minimize the risk of antnding it was also illegal to have more than a 20-minute film in the viewer at a time, so to show long film mtte operatrerne change the roll out in the middle of the show . Preferably icar c without it being discovered. In 1950, the dangerous film strip finally replaced with cellulose strips icar c that are not selvantndte icar c and still used today.
For reasons of space arrives film remains on small rolls with 20 minutes on each, so if the movie is longer than 20 minutes, m operatrerne glue the pieces together and watering them over at a large roll. The smell of ozone Erik Hamre began his career icar c as operatr as a 14-rig in 1968 when he connected with starting up a film club in Aalborg were allowed to look into operatrrummet in the local cinema.
I loved it, from the moment I set my foot there the first time. It smelled of ozone and there were large machines. And then there was my lremester, Verner Vibert Nielsen. He lrte me respect for this niche and the joy of work, and I have never lost it again, he says. Over the next six years he worked in various theaters, including Palace and Saga Bio, as with the entire 2,074 seats was Northern Europe's largest cinema. At that time operatrerne the most important people in the cinema. In Saga had our own gallery, cuisine and TV lounge, and in the summer we had all taken our terrace. We got a white coat and white gloves every week. We looked overlgen p Rigshospitalet, but sdaN s one out, no one was operatri a large cinema. icar c But it's never the audience, and the s will never leave thee, says Erik Hamre. It went strkt after 'Avatar' In lbet the last few years is the classic operatr however, almost disappeared from the country's cinemas, as